Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry The stereo and computer were

The stereo and computer were both left undisturbed for an afternoon

Unhampered by arch design or advanced technique

Paradoxically functioning as both Harry Pussy's curtain call and final act

and AACM-esque flute jams are interrupted by violent bursts of laughter and wet-mouthed sound poetry

unhurried pieces that inhabit a unique sound world characterized by wheezing

Karl Lindh – Bortom E4's Horrisont [LP] Sound Art / Sound Poetry The stereo and computer were"Smudgy existential electronics and pristine minimal jazz with a furtive, fugitive feel. It's a creepy, brown carpeted, Cold War ish mise en scene, painted with a wonderfully peculiar palette keyboards, double bass, vibraphone and rigid drum machine tick n tock, a perfect marriage of fluency and stiffness, of all pervading paranoia and carefully portioned camp (Kraftwerk in The Red Room?). Romance too "Djurgardsgatans Ogonblick" and "Jag. Mitt Kaffee"