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The past is weaponised in culture wars and cynically edited by those who wish to impose their ideology upon the physical spaces around us
8 cm (11 ¾ × 7 ⅞ inches)
Udo + Michael
Boston Review
In the tradition of conceptual action books
Paper Revolutions: An Invisible Avant-Garde - Sarah E. James MIT Press The past is weaponised inThe experimental practices of a group of artists in the former East Germany upends assumptions underpinning Western art's postwar histories. In Paper Revolutions, Sarah E. James offers a radical rethinking of experimental art in the former East Germany (the GDR). Countering conventional accounts that claim artistic practices in the GDR were isolated and conservative, James introduces a new narrative of neo avantgarde practice in the Eastern Bloc that
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