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he missed out on the album "When The Smoke Clears"
tacked onto the beginning of his deep catalogue of mixtapes – helped to outline a loose mould of bass heavy menace that later day Memphis acts like Triple 6 Mafia
At the age of 17 he produced his first 12” titled “Flava In Ya’ Ear” on Dance Mania Records which was a huge success
primarily of the more west-leaning soul/funk nature (maybe even a little more new-agey than that
Mastered by Shelley Anderson at Black Lab
BASSAE - (Untitled) 12" he missed out on theBassae (Untitled) 12" (Few Crackles, 2021) "Totally out, techno not techno, pop music experiments from Bass on the sainted Few Crackles label. We are off off dance floor here, minimal loops scroll backwards recalling the oddest ends of the Perlon catalogue, and glassy pads float by. What really makes this, though, is the vocals whispering stream of consciousness chatter and softly cooing art song reminiscent of the most audible bits of Robert Ashleys
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